Easter Monday

Resources for Easter can be found here,

 

 

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Easter Sunday

The Sequence for Easter Sunday in the Roman Rite is well known, but the modern version is missing a line from the original. This line was omitted in the Trent Missal.

Victimae Paschali Laudes

Another Sequence is more commonly given for Easter Sunday in many manuscripts,

Zyma Vetus (Lauda Sion melody)

Zyma Vetus (alternative melody)

In a Missal in Westminster Cathedral the Easter Sunday Gospel is set to the Solemn Ancient Tone, also known as the ‘weeping tone’ sung as part of the Passion in Holy Week.  Sadly this Missal can no longer be found, but we have set the following from memory,

Easter Sunday Gospel

A slightly modified version by a Priest can be found here,

Easter Sunday Gospel GD

The same priest has also set the Gospel for the Easter Vigil,

Easter Vigil Gospel

The above have been set in GABC code, using the this website,  the GABC code can be found below,

centering-scheme: latin;
name: Gospel for Easter Sunday;
initial-style: 1;
annotation: ;
user-notes: Sequéntia Sancti Evangélii secúndum Marcum.;
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%%
(c3) In(h) il(j)lo(j) tém(h)po(j)re:(j.) (;) Ma(jhjIHGF)rí(f)a(f) Mag(f)da(f)lé(f)ne,(f) et(f) Ma(f)rí(f)a(f) Ja(e)có(fg)bi,(h) (;) et(f) Sa(h)ló(h)me(h) e(h)mé(h)runt(h) a(h)ró(h)ma(h)ta,(h) ut(h) ve(h)ni(h)én(h)tes(h) ún(h!ij)ge(i)rent(hvGFg) Je(e.)sum.(f.) (:) Et(jhjIHGF) val(f)de(f) ma(f)ne(f) u(f)na(f) sab(f)ba(e)tó(fg)rum,(h.) (;) vé(f)ni(h)unt(h) ad(h) mo(h)nu(h)mén(h)tum,(h) or(h!ij)to(i) jam(hvGFg) so(e.)le.(f.) (:) Et(jhjIHGF) di(f)cé(f)bant(f) ad(f) ín(e)vi(fg)cem:(h.) (;) Quis(f) re(h)vól(h)vet(h) no(h)bis(h) lá(h)pi(h)dem(h) ab(h) ó(h!ij)sti(i)o(hvGFg) mo(e)nu(e)mén(f.)ti?(f.) (:) Et(jhjIHGF) res(f)pi(f)ci(f)én(f)tes(f) vi(f)dé(f)runt(f) re(f)vo(f)lú(f)tum(f) lá(e)pi(fg)dem.(h.) (:) E(f)rat(h) quip(h)pe(h!ij) ma(i)gnus(hvGFg) val(e.)de.(f.) (:) Et(jhjIHGF) in(f)tro(f)ë(f)ún(f)tes(f) in(f) mo(f)nu(f)mén(f)tum(f) vi(f)dé(f)runt(f) jú(f)ve(f)nem(f) se(f)dén(f)tem(f) in(e) dex(fg)tris,(h.) (:) co(f)o(h)pér(h)tum(h) sto(h)la(h) cán(h)di(h)da,(h) et(h) ob(h!ij)stu(i)pu(hvGFg)é(e.)runt.(f.) (:) Qui(jhjIHGF) di(f)cit(f) il(f) lis:(f.) (;) No(f)lí(f)te(f) ex(f)pa(f)vé(f)sce(f)re:(f.) (;) Je(f)sum(f) quǽ(f)ri(f)tis(f) Na(f)za(f)ré(f)num,(f) cru(f)ci(e)fí(fg)xum:(h.) (;) sur(f)ré(h)xit,(h) non(h) est(h) hic,(h) ec(h)ce(h) lo(h)cus,(h) u(h)bi(h) po(h!ij)su(i)é(hvGF)runt(g) e(e.)um.(f.) (:) Sed(jhjIHGF) i(f)te,(f) dí(f)ci(f)te(f) di(f)scí(f)pu(f)lis(f) e(f)jus(f) et(e) Pe(fg)tro,(h.) (;) qui(f)a(h) præ(h)ce(h)dit(h) vos(h) in(h) Ga(g)li(f)lǽ(h)am:(h.) (;) i(f)bi(h) e(h)um(h) vi(h)de(h)bi(h)tis,(h) si(h!ij)cut(i) di(hvGF)xit(g) vo(ef)bis.(gf..) (::)

centering-scheme: latin;
name: Gospel for Easter Sunday;
initial-style: 1;
annotation: ;
user-notes: Sequéntia Sancti Evangélii secúndum Marcum.;
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%%
(c3) In(h) il(j)lo(j) tém(h)po(j)re:(j.) (;) Ma(jhjIHGF)rí(f)a(f) Mag(f)da(f)lé(f)ne,(f) et(f) Ma(f)rí(f)a(f) Ja(f)có(f)bi,(f) et(f) Sa(f)ló(f)me(f) e(f)mé(f)runt(f) a(f)ró(e)ma(fg)ta,(h.) (;) ut(f) ve(h)ni(h)én(h)tes(h) ún(h!ij)ge(i)rent(hvGFg) Je(e.)sum.(f.) (:) Et(jhjIHGF) val(f)de(f) ma(f)ne(f) u(f)na(f) sab(f)ba(e)tó(fg)rum,(h.) (;) vé(f)ni(h)unt(h) ad(h) mo(h)nu(h)mén(h)tum,(h) or(h!ij)to(i) jam(hvGFg) so(e.)le.(f.) (:) Et(jhjIHGF) di(f)cé(f)bant(f) ad(e) ín(f)vi(fg)cem:(h.) (;) Quis(f) re(h)vól(h)vet(h) no(h)bis(h) lá(h)pi(h)dem(h) ab(h) ó(h)sti(h)o(h!ij) mo(i)nu(hvGFg)mén(e.)ti?(f.) (:) Et(jhjIHGF) res(f)pi(f)ci(f)én(f)tes(f) vi(f)dé(f)runt(f) re(f)vo(f)lú(f)tum(e) lá(f)pi(fg)dem.(h.) (:) E(f)rat(h) quip(h)pe(h!ij) ma(i)gnus(hvGFg) val(e.)de.(f.) (:) Et(jhjIHGF) in(f)tro(f)ë(f)ún(f)tes(f) in(f) mo(f)nu(f)mén(f)tum(f) vi(f)dé(f)runt(f) jú(f)ve(f)nem(f) se(f)dén(f)tem(f) in(e) dex(fg)tris,(h.) (:) co(f)o(h)pér(h)tum(h) sto(h)la(h) cán(h)di(h)da,(h) et(h) ob(h!ij)stu(i)pu(hvGFg)é(e.)runt.(f.) (:) Qui(jhjIHGF) di(f)cit(f) il(f) lis:(f.) (;) No(f)lí(f)te(f) ex(f)pa(f)vé(f)sce(f)re:(f.) (;) Je(f)sum(f) quǽ(f)ri(f)tis(f) Na(f)za(f)ré(f)num,(f) cru(f)ci(e)fí(fg)xum:(h.) (;) sur(f)ré(h)xit,(h) non(h) est(h) hic,(h) ec(h)ce(h) lo(h)cus,(h) u(h)bi(h) po(h)su(h!ij)é(i)runt(hvGFg) e(e.)um.(f.) (:) Sed(jhjIHGF) i(f)te,(f) dí(f)ci(f)te(f) di(f)scí(f)pu(f)lis(f) e(f)jus(f) et(e) Pe(fg)tro,(h.) (;) qui(f)a(h) præ(h)ce(h)dit(h) vos(h) in(h!ij) Ga(i)li(hvGFg)lǽ(e.)am:(f.) (:) i(jhjIHGF)bi(f) e(f)um(f) vi(e)de(f)bi(fg)tis,(h) (;) si(h)cut(h!ij) di(i)xit(hvGFg) vo(ef)bis.(gf..) (::)

name: Gospel for the Easter Vigil;
initial-style: 1;
annotation: ;
user-notes: Sequéntia Sancti Evangélii secúndum Matthaéum.;
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%%
(c3) VE(jhjIHGF)spe(f)re(f) au(f)tem(f) sáb(f)-ba(f)ti,(f) quæ(f) lu(f)cé(f)scit(f) in(f) pri(f)ma(e) sáb(f)ba(fg)ti,(h.) ve(f)nit(h) Ma(h)rí(h)a(h) Magda(h)lé(h)ne,(h) et(h) ál(h)te(h)ra(h) Ma(h)rí(h)a(h) vi(h)dé(h!ij)re(i) se(hvGFg)púl(e.)crum.(f.) (:) Et(jhjIHGF) ec(f)ce,(f) ter(e)ræ(f)mó(fg)tus(h) (;) fa(h!ij)ctus(i) est(hvGFg) ma(e.)gnus.(f.) (:) An(jhjIHGF)ge(f)lus(f) e(f)nim(f) Dó(f)mi(f)ni(f) de(f)scén(f)dit(e) de(f) cæ(fg)lo:(h.) (;) et(f) ac(h)cé(h)dens(h) re(h)vól(h)vit(h) lá(h)pi(h)dem,(h) et(h) se(h)dé(h)bat(h) su(h)per(h) e(h)um:(h.) (;) e(h)rat(h) au(h)tem(h) a(h)spé(h)ctus(h) e(h)jus(h) si(g)cut(f) ful(h)gur:(h.) (;) et(f) ve(h)sti(h)mén(h)tum(h!ij) e(i)jus(hvGFg) si(e)cut(f.) nix.(f.) (:) Præ(jhjIHGF) ti(f)mó(f)re(f) au(f)tem(f) e(f)jus(f) ex(f)tér(f)ri(f)ti(f) sunt(e) cu(f)stó(fg)des,(h.) (;) et(f) fa(h)cti(h) sunt(h!ij) ve(i)lut(hvGFg) mór(e)tu(f.)i.(f.) (:) Re(jhjIHGF)spón(f)-dens(f) au(f)tem(f) Ange(f)lus,(f) di(f)xit(f) mu(f)li(e)é(f)ri(fg)bus:(h.) (;) No(f)lí(h)te(h) ti(h)mé(h)re(h) vos:(h.) (;) sci(h)o(h) e(h)nim,(h) quod(h) Je(h)sum,(h) qui(h) cruci(h)fí(h)xus(g) est,(f) quaé(h)-ri(h)tis:(h.) (;) non(f) est(h) hic:(h) sur(h)ré(h)xit(h) e(h)nim,(h!ij) si(i)cut(hvGFg) di(e.)xit.(f.) (:) Ve(jhjIHGF)ní(f)te,(f) et(f) vi(f)dé(f)te(e) lo(fg)cum,(h.) (;) u(f)bi(h) pó(h)si(h)tus(h) e(h!ij)rat(i) Dó(hvGFg)mi(e.)nus.(f.) (:) Et(jhjIHGF) ci(f)to(f) e(f)ún(f)tes,(f) dí(f)ci(f)te(f) dis(f)cí(f)pu(f)lis(f) e(f)jus,(f) qui(f)a(f) sur(e)ré(fg)xit:(h.) (;) et(f) ec(h)ce,(h) præ(h)cé(h)dit(h) vos(h) in(h!ij) Ga(i)li(hvGFg)laé(e)am:(f.) (;) i(jhjIHGF)bi(f) e(f)um(f) vi(e)dé(f)bi(fg)tis.(h.) (:) Ec(f)ce,(h) præ(h!ij)dí(i)xi(hvGFg) vo(ef)bis.(gf..) (::)

Holy Saturday Tenebrae

Lessons for Tenebrae set to the Common tone,

TenebraeHSLesson IV

TenebraeHSLesson V

TenebraeHSLesson VI

TenebraeHSLesson VII

TenebraeHSLesson VIII

TenebraeHSLesson IX

Lessons set in another of the three suggested Tones can be found here,

http://www.fidelitybooks.com.au/Hugh/Good%20Friday%20Tenebrae%20Readings%204%20to9.pdf

These lessons have been set thanks to the brilliant programme found here,

http://bbloomf.github.io/jgabc/readings.html

and the texts found here, http://www.fidelitybooks.com.au/Hugh/

Good Friday

The Crux Fidelis and the Vexilla Regis can be found in the Graduale and are used Liturgically on this day.  Both these Hymns have been revised, but the older versions below can also be used. The scan of the Crux… is from the 1961 G.R. the scan of the Vexilla is from the 1910 L.U.

Good Friday Hymns

Below is the ‘original’ version of the Vexilla Regis not the modern version used for Vespers during Passiontide, for feasts of the Holy Cross, and as a processional Hymn on Good Friday.

Vexilla Regis

Congregational Propers booklet pre-1955 Rite

Good Friday 1955

Maunday Thursday

Congregational Propers Booklet

MaundyThursday

Hymn from the Ambrosian Vesperale

Hymnum Canamus

Tenebrae Lessons for evening, anticipated Matins and Lauds of Good Friday.  The following use the Common Tone

TenebraeGFLesson IV

TenebraeGFLessson V

TenebraeGFLesson VI

TenebraeDFLesson VII

TenebraeGFLesson VIII

TenebraeGFLessson IX

Lessons set in another of the three suggested Tones can be found here,

http://www.fidelitybooks.com.au/Hugh/Good%20Friday%20Tenebrae%20Readings%204%20to9.pdf

These lessons have been set thanks to the brilliant programme found here,

http://bbloomf.github.io/jgabc/readings.html

and the texts found here, http://www.fidelitybooks.com.au/Hugh/